The Flash never gets to actually control time, but Jotaro and Dio sure do. Wolverine never gets his healing factor, but JoJo’s Funny Valentine can pull a fresh copy of himself from another dimension to get back to full health. This commitment to authenticity runs even deeper than in other licensed brawlers like Injustice or Ultimate Marvel vs. Not only do touches like this make the cast more interesting to learn, it makes them feel even more connected to the source material. There’s advantages to both stances, and learning when to fight mounted or unmounted is key to using the character effectively. But with the quick press of a button, he can summon his trusty steed and fight from horseback. For instance, Johnny Joestar is paraplegic, and without the use of his legs, he has very little mobility by default. A lot of care was taken to incorporate the backstories and powers of the characters into their mechanics, even when it required building discrete systems just for one specific fighter. Most of the characters play just as uniquely as they look, too. Astounding visual presentation and personality. The striking character silhouettes, iconic poses, and emotive facial expressions of Hirohiko Araki’s original artwork are preserved beautifully, giving All-Star Battle a truly audacious, one-of-a-kind aesthetic. Fortunately, an understanding of the Joestar family lineage is not a requirement to appreciate the incredible style on display here. Sadly, few in the west know what a JoJo is, or why their adventures are so very bizarre.

It looks every bit as great once the action starts, which says a lot about how well the aesthetic from the manga has been realized. The best part is that all the clips that look like cutscenes are actually just victory animations, or in-match footage.

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